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THE SELF-DEFEATING FANTASY
Eric S. Rabkin, Ph.D.
In our oldest tale, The Epic of Gilgamesh from the 3rd millen-
nium B.C.E., the hero learns
a secret thing [a mystery of the gods]. There is a plant
that grows under the water, it has a prickle like a thorn,
like a rose; it will wound your hands, but if you suc-
ceed in taking it, then your hands will hold that which
restores his lost youth to a man (pg. 116). [1]
To retrieve immortality, Gilgamesh weights himself with
stones and plunges into the life-offering, death-threatening
water. But
deep in the pool there was lying a serpent, and the ser-
pent sensed the sweetness of the flower. It rose out of the
water and snatched it away, and immediately it sloughed
its skin and returned to the well. Then Gilgamesh sat
down and wept, the tears ran down his face. I found a
sign and now I have lost it (pg. 117). [1]
Italo Calvino has written that
the ultimate meaning to which all stories refer has two
faces: the continuity of life, the inevitability of death
(pg. 259). [2]